On “Drill Team” and the Musicality of Videographic Criticism

An article comprising the videographic study Drill Team alongside a written framing of its filmstudies origins and comparative methodology. The video attempts a performative audiovisual adaptation of a chapter section from DanijelaKulezic-Wilson’s 2020 book Sound Design is theNew Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack. Drill Team explores both Kulezic-Wilson’s specific (if uncertain) argument about the relationship between two films (BeauTravail [Claire Denis, 1999] and The Fits [AnnaRose Holmer, 2015]) and her general argument in the chapter about the “composed” nature of the sound (and music) design in these and other modern or contemporary films, as well as about Revised 11/02/2024 2use modes of embodied experience as the substance of their language.

© Catherine Grant

Uploaded on Monday 24th of June 2024

Duration

00:11:03

Video

1920x1080 @ 23.976 f/s

Audio

48000 Hz / 2 channel(s)

File

mp4, 196 MB